Lim Siang Jin

family and a few close friends. In 2018, he began to distribute them to a wider audience — via four limited-circulation PDFs that included writings on matters close to his heart. In tandem with this, he began to post his pieces on social media. From 2018-2020, he continued to put together his older works, resulting in four more sets of PDFs.

Siang Jin has had three excursions into art: (1) Years at university in Britain as a student and as a sub-editor of The Malay Mail, then a regional afternoon newspaper centred around Kuala Lumpur, Malaysia’s capital (1973-1982); (2) Time he spent at a national policy research institute as Head of Publications (1985-1991); and (3) During the recent Covid lockdown and a bit after (2020-2023). There was a gap of 30 years (1989-2020) when he hardly produced anything new. During much of the three decades, he was deeply involved in work, mainly in publishing, communications and, branding and marketing. He was, for example, a founder director of The Edge, a leading business weekly in Malaysia and Singapore. He went on to head the media business of Nexnews Bhd that owned The Edge and theSun, a national free paper with a circulation of over 300,000.

In all these endeavours, he continued to take an active interest in the “backroom”, in the production and creative processes of the business. Like his art, his work, from publishing to management, is girded by the ideas of Quality, Timing and Aufhebung (the idea that every new development is an inextricable combination of the old and new). 

Siang Jin held his first solo in Kuala Lumpur in October 2022 where he exhibited some 70 pieces; all these were created during the Covid years (2020-2022). While his favourite artists, and therefore his main influences, are mainly Western-modern (notably Picasso, Dali, Van Gogh, Matisse, Miro, Klee and Kandinsky), he continues to innovate. This is especially apparent in the digital analog creative space where he combines his experience in painting, photography and media production.